SIGNATURE EDITION Strictly limited edition! Each copy individually numbered and autographed by the author and Euro-western star FRANCO NERO!
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THE EURO-WESTERN BEYOND LEONE
The success of Sergio Leone's 'Dollars' trilogy in the '60s sparked a gold rush, as a legion of European film-makers - many of them sharing the get-rich-quick mentality of Leone's mercenary anti-heroes - followed the master's lead to create some of the wildest Westerns ever made.
Cynical and stylish, bloody and baroque, Euro-westerns replaced straight-shooting sheriffs and courageous cowboys with amoral adventurers, whose murderous methods would shock the heroes of Hollywood Westerns. These films became box-office sensations around the world, and their influence can still be felt today.
Any Gun Can Play puts the phenomenon into perspective, exploring the films' wider reaches, their recurrent themes, characters, quirks and motifs. It examines Euro-westerns in relation to their American ancestors and the mechanics of the Italian popular film industry, and spotlights the unsung actors, directors and other artists who subverted the 'code' of the Western and dragged it into the modern age.
Based on years of research backed up by interviews with many of the genre's leading lights, including actors Franco Nero, Giuliano Gemma and Gianni Garko, writer Sergio Donati, and directors Sergio Sollima and Giuliano Carnimeo, Any Gun Can Play will satisfy both connoisseurs and the curious.
Complete with a foreword by Euro-Western legend Franco Nero, this stunningly illustrated reference guide takes aim at the lingering notion that the genre has little to offer beyond the 'Dollars' films and a fistful of others, exposing the full, vibrant history of the Euro-western.
CONTENTS:
FOREWORD By Euro-western legend Franco Nero, star of Django, A Professional Gun and Keoma, among others.
INTRODUCTION An overview of Euro-westerns, their origins and characteristics, plus the major professionals whose careers they launched, prolonged or transformed.
TARGET PRACTICE Early Euro-westerns were hit-and-miss affairs, but A Fistful of Dollars is not the only film from the genre's formative period worthy of recognition.
A BULLET SPENT, A DOLLAR EARNED In the wake of For a Few Dollars More, the genre matured and broadened its horizons, presenting a misanthropic world-view, leavened with irony, that perfectly matched the tenor of the times.
RELATIVES AND RELIGION Many Italian Westerns skewed their stories towards the home market, serving up stereotypical stories of troublesome females, feuding families and a satirical or critical treatment of religion.
'GOD FORGIVES... I DON'T!' Euro-westerns posit a world where betrayal is rife and violence ever-present, taking the theme of revenge to extraordinary extremes.
'DON'T BUY BREAD, BUY DYNAMITE' Euro-westerns were unashamedly populist, and many of them adopted a left-wing stance in the late Sixties, reflecting the influence of radical film-makers and the political atmosphere of the times.
BEWARE OF FAKE GUNS While American Westerns had Jesse James, Wyatt Earp and Billy the Kid, European film-makers invented a pantheon of their own, populated by the likes of Django, Ringo, Sabata, Sartana and Trinity.
HYBRID WESTERNS Many Euro-westerns were hybrids not just of cultural traditions and film-making styles, but also tones, subjects and settings, with elements such as mystery, comedy, horror and martial arts not uncommon.
DESOLATION AND DECONSTRUCTION The genre burned brightly but briefly, and by the early Seventies it was in decline. This chapter examines what these latecomers have to offer, and whether they have been dismissed too lightly.
WHO'S WHO IN EURO-WESTERNS A biographical A-Z of the most important and prolific actors, directors, composers, etc.
EURO-WESTERN FILMOGRAPHY A chronological listing of European Westerns.
The Author/Editor
About the author Kevin Grant is a freelance journalist and film writer with a passion for perfectly crafted genre pieces, particularly Continental and Oriental productions. A fan of American westerns since childhood, he was led astray at an early age by the irreverent interpretations of Sergio Leone, whose radical visions placed him - and certain of his European contemporaries - alongside the likes of Peckinpah and Mann in the pantheon of maverick directors of westerns. He has contributed reviews and articles to a range of film publications including the Euro-western journal Blood, Money and Vengeance, European Trash Cinema, Delirium, Flesh & Blood and Hotdog. Any Gun Can Play is his first book.
Foreword by Franco Nero As the alter ego of Django and Keoma, Franco Nero's iconic status among Euro-western aficionados is second to none. He gave vigorous performances in more than a dozen westerns in all, and he remains an impassioned ambassador for the genre. One of relatively few Italian actors to make an impact on a global scale, he has appeared in more than 120 films since his breakthrough in the mid-Sixties, alternating starring roles in popular movies with character turns in more prestigious productions. A frequent collaborator of Sergio Corbucci and Enzo Castellari, he has also worked with Luis Bunuel, Claude Chabrol, Elio Petri and John Huston, and has written, produced and directed for the screen.
Publisher
FAB Press Ltd 2 Farleigh Ramsden Road Godalming Surrey GU7 1QE England UK info@fabpress.com
Technical Details
Size: 260mm x 195mm
Binding: Hardback
Extent: 480 pages, including 64 pages in full colour